I do believe some of the plot twists were predictable while others were not. As she starts digging deeper, she finds out some things aren't what they seem. She doesn't believe her sister would have committed suicide. After finding her dead sister's old cell phone and a note saying "connect the dots" on a photo of the 5 dead cheerleaders in her step-father's locked drawer, Monica starts doing some detective work. Anyway, the plot has been done before, but it was still fairly interesting to read about. Maybe the police force in the town of Sunnybrook just aren't very efficient at their jobs. There's one thing that is described at the end that I wondered how that was never discovered. Scroll down to view all the content on the page.The world building was fairly believable although I did have a hard time believing the police would miss some of the more obvious things I won't go into due to spoilers. The Ocean State Libraries catalog listing contains a book profile, professional reviews, reader reveiws, reading level, subject headings, and awards. There are no more cheerleaders in Sunnybrook, but that doesn't mean anyone else is safe.ĭead Girls Don't Write Letters by Gail Giles And somehow Monica is at the center of it all. Some people in town know more than they're saying. Whatever happened five years ago isn't over. There are the letters in her stepdad's desk, an unearthed, years-old cell phone, a strange new friend at school. Only Monica's world is starting to unravel. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders.
No one wanted to be reminded of the girls they'd lost.
After her suicide, Sunnybrook High disbanned the cheer squad.
Monica's sister was the last cheerleader to die. The police shot him, so no one will ever know his reasons. Those girls were killed by the man next door. First there was the car accident-two girls dead after hitting a tree on a rainy night. Summary: There are no more cheerleaders in the town of Sunnybrook. Publisher Information: New York, NY: Delacorte Press, 2018
0 kommentar(er)
